Mariah Carey

Jon Pareles of The New York Times described Carey's lower register as a "rich, husky alto" that extends to "dog-whistle high notes". Carey also possesses a "whisper register". In an interview with the singer, Ron Givens of Entertainment Weekly described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register." Additionally, towards the late 1990s, Carey began incorporating breathy vocals into her material. Tim Levell from the BBC News described her vocals as "sultry close-to-the-mic breathiness", while USA Today's Elysa Gardner wrote "it's impossible to deny the impact her vocal style, a florid blend of breathy riffing and resonant belting, has had on today's young pop and R&B stars."
Her sense of pitch is admired and Jon Pareles adds "she can linger over sensual turns, growl with playful confidence, syncopate like a scat singer... with startlingly exact pitch."
• Influences
Carey has said that from childhood she has been influenced by Billie Holiday, Sarah Vaughan, and R&B and soul musicians such as Gladys Knight and Aretha Franklin. Her music contains strong influences of gospel music, and she credits The Clark Sisters, Shirley Caesar and Edwin Hawkins as the most influential in her early years. When Carey incorporated hip-hop into her sound, speculation arose that she was making an attempt to take advantage of the genre's popularity, but she told Newsweek, "People just don't understand. I grew up with this music". She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. & Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep, with whom she collaborated on the single "The Roof (Back in Time)" (1998). Carey was heavily influenced by Minnie Riperton, and began experimenting with the whistle register due to her original practice of the range.