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Marilyn Monroe
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Marilyn Monroe

Following her dismissal, Monroe engaged in several high-profile publicity ventures. She gave an interview to Cosmopolitan and was photographed at Peter Lawford's beach house sipping champagne and walking on the beach. She next posed for Bert Stern for Vogue in a series of photographs that included several nudes. Published after her death, they became known as 'The Last Sitting'. Richard Meryman interviewed her for Life, in which Monroe reflected upon her relationship with her fans and her uncertainties in identifying herself as a "star" and a "sex symbol". She referred to the events surrounding Arthur Miller's appearance before the House Un-American Activities Committee in 1956, and her studio's warning that she would be "finished" if she showed public support for him, and commented, "You have to start all over again. But I believe you're always as good as your potential. I now live in my work and in a few relationships with the few people I can really count on. Fame will go by, and, so long, I've had you fame. If it goes by, I've always known it was fickle. So at least it's something I experienced, but that's not where I live."
In the final weeks of her life, Monroe engaged in discussions about future film projects, and firm arrangements were made to continue negotiations. Among the projects was a biography of Jean Harlow later filmed unsuccessfully with Carroll Baker. Starring roles in Billy Wilder's Irma la Douce and What a Way to Go! were also discussed; Shirley MacLaine eventually played the roles in both films. Kim Novak replaced her in Kiss Me, Stupid, a comedy in which she was to star opposite Dean Martin. A film version of the Broadway musical, A Tree Grows In Brooklyn, and an unnamed World War I–themed musical co-starring Gene Kelly were also discussed, but the projects did not occur. Her dispute with 20th Century Fox was resolved, and her contract renewed into a $1 million two-picture deal, and filming of Something's Got to Give was scheduled to resume in early fall 1962. Also on the table was an Italian film offer worth several million giving her script, director and co-star approval. Allan "Whitey" Snyder who saw her during the last week of her life, said Monroe was pleased by the opportunities available to her, and that she "never looked better (and) was in great spirits".

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