Graduates 2009, Russia

Russian philosophy blossomed since the 19th century, when it was defined initially by the opposition of Westernizers, advocating the Western political and economical models, and Slavophiles, insisting on developing Russia as unique civilization. The latter group includes Nikolai Danilevsky and Konstantin Leontiev, the founders of eurasianism. In its further development Russian philosophy was always marked by deep connection to literature and interest in creativity, society, politics and nationalism; Russian cosmism and religious philosophy were other major areas. Notable philosophers of the late 19th and the early 20th centuries include Vladimir Solovyev, Sergei Bulgakov, and Vladimir Vernadsky.
Following the Russian Revolution of 1917 many prominent writers and philosophers left the country, including Ivan Bunin, Vladimir Nabokov and Nikolay Berdyayev, while a new generation of talented authors joined together in an effort to create a distinctive working-class culture appropriate for the new Soviet state. In the 1930s censorship over literature was tightened in line with the policy of socialist realism. Since late 1950s the restrictions on literature were eased, and by the 1970s and 1980s, writers were increasingly ignoring the official guidelines. The leading authors of the Soviet era include novelists Yevgeny Zamyatin, Ilf and Petrov, Mikhail Bulgakov and Mikhail Sholokhov, and poets Vladimir Mayakovsky, Yevgeny Yevtushenko, and Andrey Voznesensky.
• Cinema, animation and media
Russian and later Soviet cinema was a hotbed of invention in the period immediately following the 1917, resulting in world-renown films such as The Battleship Potemkin by Sergei Eisenstein. Eisenstein was a student of filmmaker and theorist Lev Kuleshov, who developed the Soviet montage theory of film editing at the world's first film school, the All-Union Institute of Cinematography. Dziga Vertov, whose kino-glaz (“film-eye”) theory—that the camera, like the human eye, is best used to explore real life—had a huge impact on the development of documentary film making and cinema realism. The subsequent state policy of socialist realism somewhat limited creativity, however many Soviet films in this style were artistically successful, like Chapaev, The Cranes Are Flying, and Ballad of a Soldier.