History: Early Years Of The Beatles

- Magical Mystery Tour, White Album and Yellow Submarine
Magical Mystery Tour, the soundtrack to a forthcoming Beatles television film, appeared as a six-track double extended play disc (EP) in early December 1967. In the United States, the six songs were issued on an identically titled LP that also included tracks from the band's recent singles. Allmusic says of the US Magical Mystery Tour, "The psychedelic sound is very much in the vein of Sgt. Pepper, and even spacier in parts (especially the sound collages of 'I Am the Walrus')", and calls its five songs culled from the band's 1967 singles "huge, glorious, and innovative". It set a new US record in its first three weeks for highest initial sales of any Capitol LP, and it is the one Capitol compilation later to be adopted in the band's official canon of studio albums. Aired on Boxing Day, the Magical Mystery Tour film, largely directed by McCartney, brought the group their first major negative UK press. It was dismissed as "blatant rubbish" by the Daily Express, which described it as "a great deal of raw footage showing a group of people getting on, getting off, and riding on a bus". The Daily Mail called it "a colossal conceit", while The Guardian labelled it "a kind of fantasy morality play about the grossness and warmth and stupidity of the audience". It fared so dismally that it was withheld from the US at the time. In January, the group filmed a cameo for the animated movie Yellow Submarine, a fantasia featuring cartoon versions of the band members. The group's only other involvement with the film was the contribution of several unreleased studio recordings. Released in June 1968, it was well received for its innovative visual style and humour, as well as its music. It would be seven months, however, before the film's soundtrack album appeared.
In the interim came The Beatles, a double LP popularly known as the White Album for its virtually featureless cover. Creative inspiration for the album came from a new direction when, with Epstein's guiding presence gone, the group turned to Maharishi Mahesh Yogi as their guru. At his ashram in Rishikesh, India, a three-month "Guide Course" became one of their most creative periods, yielding a large number of songs including most of the thirty recorded for the album. Starr left after ten days, likening it to Butlins, and McCartney eventually grew bored with the procedure and departed a month later. For Lennon and Harrison, creativity turned to questioning when Yanni Alexis Mardas, the electronics technician dubbed Magic Alex, suggested that the Maharishi was attempting to manipulate the group. After Mardas alleged that the Maharishi had made sexual advances to women attendees, Lennon was persuaded and left abruptly, taking the unconvinced Harrison and the remainder of the group's entourage with him. In his anger Lennon wrote a pointed song called "Maharishi", which he later modified to avoid a legal suit, resulting in "Sexy Sadie". McCartney said, "We made a mistake. We thought there was more to him than there was."
During recording sessions for the album, which stretched from late May to mid-October 1968, relations among the band's members grew openly divisive. Starr quit for a period, leaving McCartney to play drums on several tracks. Lennon's romantic preoccupation with avant-garde artist Yoko Ono contributed to tension within the band and he lost interest in co-writing with McCartney. Flouting the group's well-established understanding that they would not take partners into the studio, Lennon insisted on bringing Ono, whom Harrison disliked anyway, to all of the sessions. Increasingly contemptuous of McCartney's creative input, he began to identify the latter's compositions as "granny music", dismissing "Ob-La-Di, Ob-La-Da" as "granny shit". Recalling the White Album sessions, Lennon gave a curiously foreshortened summing-up of the band's history from that point on, saying, "It's like if you took each track off it and made it all mine and all Paul's... just me and a backing group, Paul and a backing group, and I enjoyed it. We broke up then." McCartney also recalled that the sessions marked the start of the break-up, saying, "Up to that point, the world was a problem, but we weren't".